On Value and Being Seen

This is an amazing blog by the extremely perceptive Summer Pierre. Her “three reasons” were a gift to me that helped clarify why I am an artist. Her notes on commissions, pleasing others, and the Internet are invaluable. This was republished by WordPress in freshly pressed and recieved a lot of well-deserved attention. Enjoy.

Paper Pencil Life

Tara Brach

Longtime reader Sarah asked in the comments on my post about Edith Pearlman if I could share my thoughts on how I skate the inevitable line of doing work for work sake and doing work to be seen.  To which I say:

Oh boy–how much time do you have?

Every artist I know struggles with this dynamic–don’t you?  Isn’t this at the very core of wanting a life in the arts?  You have something to say and don’t you want someone to hear it/see it?  This seems like a very simple idea, though we know it is not.  The minute someone DOES hear/see/notice your work is when things get really FUNKY.  

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Art Hearts

A White Ago by Suzanne Edminster
A White Ago by Suzanne Edminster

This is “A White Ago.” The title was taken from an e e cummings poem. He was one of the most romantic poets of our time, and a painter.

Painting with hearts is tricky. You always are in danger of falling over the boundary into treacly greeting card territory. I liked this notion of a heart in a field of white, time sweeping away old loves and perhaps bringing in the new.

Salamander Winter by Suzanne Edminster
Salamander Winter by Suzanne Edminster

I titled this one Salamander Winter. Again a heart, but there are little salamanders hidden in the base… small fire dragons. My husband, Scott, places boards in wet places to provide little houses for real Arboreal Salamanders in our yard. In alchemy, the salamander represents fidelity and the animal that can survive the flames of adversity. Here’s wishing you luck in love.