Over Underworld 8: Quarantinis in the Afterlife

Dante notebook, from the Getty Villa Underworld show. Gouache, pen, watercolor, pencil.

What do we want most when we are traveling through an Underworld?  One ill-fated goal is to rescue another who is stuck to bring them back from Death, never a good idea: the Monkey’s Paw effect.  Better is to journey toward a happy ending, reuniting with our loved ones or God. This was Dante’s goal. Another favorite hope, a subset of reuniting with loved ones, is to be in ecstasy all the time, eating and drinking and making love and giggling– to get high. The goals of the Underworld are actually in alignment with the goals of Comedy, not Tragedy:  it should end with a reunion or party with loved ones, and you should be able to get drunk, maybe listen to some really good music…

A music band of 3 statues. The Sirens or Harpies are underworld creatures. This Siren is singling to a pipe played by a Satyr.

I made these drawings in the Getty Villa’s Underworld: Imagining the Afterlife exhibit. One thing that tickled me the most was Plato’s disdain for those who only wanted to go to the Underworld to drink wine.  There apparently was a cult devoted just to that.  As a citizen of perhaps one of the most hedonistic places on the planet, Sonoma County, California, where wine, weed, and fine food are elevated to a religion, I understand.

Plato loved wine, but was careful.  He even proposed the first age-related drinking laws: that boys should not drink before age 18, because it is wrong to add “fire to fire.” But he was careful not to elevate wine, preferring to use it as a tool for truth and celebration.  He said that to spend all our time in the afterlife “crowned and drunk” was dumb, that eternal inebriation was an unworthy goal for the Underworld.  Many of the Underworld themed wine vessels had phallic grape bunches, implying that there was even more bliss available Down There.

Detail of phallic grape bunch on wine vessel

In this time of quarantine and apocalyptic thoughts, I can’t help but remember the rat banquet scene in the Werner Herzog film Nosferatu.  The people are feasting and dancing in the square in a sea of rats, because they know that they are about to die. In our world, this is a good metaphor for substance addiction; unable to stop as a world falls apart.  Dark.

Scene from Werner Herzog’s Nosferatu

Is it so wrong to imagine that some of life’s fundamental pleasures might be available after death?  I wish you surcease of sorrows, but in non-apocalyptic quantity that does not wreck your world.  Or your morning. It’s a slippery slope.

Many entries to the Underworld were portrayed as steep descents. From the Dante notebook.

From Plato to you, as you sip your Quarantini  2,368 years later:  “What is better adapted than the festive use of wine in the first place to test and in the second place to train the character of a man, if care be taken in the use of it? What is there cheaper or more innocent?”

Here I am with my quarantini and pearls, sans rats.  Here’s to all of us. And from Plato: “Be kind, for everyone you meet is fighting a harder battle.” —Suzanne

This is the eighth Over Underworld release, a online art exhibit of paintings and sketches in March and April 2020. Featured art: Sketches from Dante’s Inferno Illustrated Notes. Contact saltworkstudio@gmail.com.
View 7 previous Over Underworld Art Exhibit paintings, sketches, and essays here.

Saltworkstudio Events in March-April 2020: Over Underworld: New Work, a virtual art exhibit of paintings and sketches released on SaltworkstudioFacebook, and Instagram.  #dantesketchbook #overunderworld  #saltworkstudio

 

 

Over Underworld 5: March 25 Dante Day Story Time

I’m doing storytelling from the beginning Cantos of Dante’s Inferno today.  I’ll be on Facebook Live at Saltworkstudio Facebook at 10 AM, 1 PM and 5PM Pacific  Time.  Join me for some Dante sketches and their stories!  I’ll only post one sketch now as a preview.

The masses, waiting and waiting…

We are all waiting now.  The ancient is new again.  Ancient metaphors bring light to modern vision.    Thank you for joining me in my Over Underworld project.   Suzanne

This is the fifth Over Underworld release, a online art exhibit of paintings and sketches in March 2020. Featured art: Pages from my Dante’s Inferno sketchbook. Not for sale.

Events in 2020

March 25, Wednesday, is Dante Day in Italy, a new annual national holiday to honor Dante. I  will be storytelling from my Dante sketchbook at Saltworkstudio via Facebook Live. See event for more details.  FB live times: 10 AM, 1PM and 5 PM Pacific Time.

March-April 2020: Over Underworld: New Work, a virtual art exhibit of paintings and sketches released on SaltworkstudioFacebook, and Instagram#dantedi #dantesketchbook #overunderworld  #saltworkstudio #divinacommedia

Over Underworld 4: Dante Begins

The lion of ambition.

This is the fourth Over Underworld release, a online art exhibit of paintings and sketches in March 2020. Featured art: Pages from my Dante’s Inferno sketchbook, Cantos 1 and 2.

Since Italy has its first national Dante holiday this year on March 25, I’m releasing Dante sketches instead of paintings for the next few posts.  May celebrating his poetry help Italy heal .

We are Dante. The poem opens to a scene of attack and menace. The lion is ambition to rule, the despot. The leopard is worldly luxury and lust, hedonism, consumerism.  The wolf of avarice, of greed, is always hungry. After she eats, after feeding, she is hungrier than before, literally insatiable. Dante is lost in the woods, and all is lost.

I choose to see Dante as a guide through Underworlds, the times when we are trapped, in despair, lost, yet we know we are somehow on a journey, a lonely road. We need our guides. Virgil is Wisdom, who guides us through the “arduous and savage”way.

Virgil wrote the Aneied, another epic poem that contains an Underworld journey.

He also calls on his beloved Beatrice, who has died and gone to heaven. She appears with her girlfriends: Rachel, who symbolizes contemplation, and Lucia, who is clear vision, eyesight, and light. They indicate their approval of his journey, and then we don’t see them again for a long time.  They are all making a brief visit from heaven.  Hell is not their style.

Beatrice calls in Rachel and Lucia.

So gather your friends:  Wisdom from the past, Light, Meditation, Divine Love.  Dante needed his beloveds to help him continually trust that he would have guidance during his pilgrimage .  I noted that “Hell is forgetting that there is a paradise.”  Keep to your dream-path. It’s actually a Divine Comedy, even if we walk through Tragedy along the Way.  Suzanne

Painted notes

Featured work: Pages from my Dante’s Inferno illustrated notes.  Not for sale.You may share this freely.

Events in 2020

March 25, Wednesday, is Dante Day in Italy, a new annual national holiday to honor Dante. I  will be storytelling from my Dante sketchbook at Saltworkstudio via Facebook Live. See event for more details.  FB live times: 10 AM, 1PM and 5 PM.

March-April 2020: Over Underworld: New Work, a virtual art exhibit of paintings and sketches released on SaltworkstudioFacebook, and Instagram. #dantedi #dantesketchbook #overunderworld  #saltworkstudio #divinacommedia