Italy Travel Sketchbook “Flow Charts” and Doodles

Scott and I kept a 5″ x 8″  travel notebook in Italy. We worked it almost daily as we traveled, finding time in cafes or on benches. But we had the most fun with Travel Flow Charts, illustrating certain common travel situations. The first one concerns travel with a partner.

It’s amazing how the other person becomes reasonable, and sulking silence vanishes. The next two charts are pieces we tried to fit in to a larger diagram, but couldn’t. They’re self explanatory.
I know some of you out there have subsisted on strange food during gaps in travel. Scott sucked on hard barley balls while walking around Annapurna. Crackers, the new hard tack.  And now on to address exhaustion:

We didn’t spend all our time making charts.

Here’s an Etruscan boar I drew in the Villa Giulia in Rome. I named him Oinkos.
We did get analytical with this Venn diagram. We wanted to do as many things as possible that we couldn’t do at home, and to appreciate the strange world in front of us, like live eels.
But is it art? Probably not, but is certainly is travel.

Happy Couples and Girls with Horns: Archaic Art Friends from Rome and Naples

This is my image of true love: looking into the light of eternity, together.

The Etruscan “Happy Couple in the Villa Giula museum  in Rome used to be painted and draped with fabric.  They had wine glasses and perfume bottles in hand and were reclining and eating at the same time– wonderful.  She had her earrings and jewelry on originally too.  This is the most famous of the tomb sculptures and is still incredibly moving for its feeling of affection and love. Not to mention the great “dos”, his and hers.

Then, the Romans invaded, and everyone started thinking about money, real estate, commerce.  Look at the new portrait of the married couple, Roman-style! Brood, worry, and scheme… not much trust there. And no more damn reclining in married portraits.

When not buying something or conquering someone,  in their spare time the Romans loved their soft and ahem, harder , images of sex.  This is a sweet one from the Secret Cabinet of Pompeii, a collection of erotic/ironic art  in the Naples Archeological Museum.  We did get in, though the guidebooks report this is often dicey.  It was deserted.  I think there’s a basic misunderstanding about what was erotic and what was common during the height of the Roman Empire.  Phallic-shaped signposts, lucky charms, and house decoration: common and boring.  Wall-painting series of  “menus” showing different sexual activities you could choose in the brothels, especially if you’re illiterate: interesting, erotic, naughty, not boring.  She’s light and he’s dark, showing the power of the guy, or something; this painting convention continued through the Renaissance and later in erotic scenarios. It’s Pan and his goat, but she seems happy.

Girls with Horns!  What can I say?  You can check my Mythic notes at the bottom for more ideas.  Here’s an Egyptian version of girls with horns.  They seem to have water buffalo horns, an image seen still in Naples because of their wonderful water-buffalo mozzarella cheese.  You buy it from the deli, little balls swimming in a salty sea, and carry it home in a tied plastic bag like goldfish from the fair.  Mozarrella alone is a “secondi piatti”– main dish– in Naples.   It’s grilled a bit, served with bread, and that’s it.

And now some Pompeiian paintings of girls with horns.  The “encaustic” they used included wax, but the paint actually used soap (lye-based) as the “caustic” medium binding the pigment  to bond with the walls.  These are not frescoes– the plaster was dry.  These are wet, slippery paint layers.  They then used the hot wax to seal the walls as a varnish on top, which they could buff to a high shine.  The first girl definitely has horns; the second may be more of a crescent moon, perhaps Diana.

Horns or crescent moon?  What say you?

For the last happy couple, Scott and I, the morning after our arrival back, at the IHOP at 6AM.  We are not reclining and eating, like the Etruscan couple, but you see a soft upholstered booth, coffee, empty plates and cups, books, and happiness.  Good enough.

Mythic notes: I saw a lot of images of  Europa on the Zeus-Bull.  She was taken to swim on Zeus-Bull’s back through the Straits of Bosphorus– Bosphorus means ox-crossing– dividing Europe from Asia/Turkey–in other words, the Straits of Istanbul.  Europa and Io merge women with bull or cow, and then put them in water– a river or sea.  They might be a holdover from a more ancient cow -goddess, or metaphors for mass migrations and settlement of cattle people, but I just thought that the girls with horns were cool.  The Romans idealized the Nile as a source of fertility;  Roman matrons would buy vials of Nile water at the local Isis-temple  and douse themselves with it to increase conception.

Book notes:  The Social Animal by David Brooks was a great buy.  It’s trending sociological research, carried by his  made-up, somewhat borg-like characters named  Harold and Erica.  The characters provide a framework for reporting findings from everywhere.  Intriguing.  Many are saying that the creative/artistic mind is the big money earner in our new world. Well, let’s hope.  He lets Erica do art after she retires, and there are a few pages on the latest social research on music, painting, and other arts.   Recommended for a rousing non-fiction read and a juicy idea source.

Studio Notes:   I’ve done large paintings of both Europa and Io as abstractions.