Picasso, Braque, Susan, Suzanne, and the “Squirrel”

Painting Start by SE / Cornelis Edminster Collaboration

Our painting collaboration (Susan Cornelis and Suzanne Edminster)  is finding squirrels,  squawking bird things, skulls, and stubborn winged beings  in  our  paint .  Are they vermin or rare species?  Should they  be conserved or eliminated?  Here’s a wild start on a 24″ x 24″ canvas.  These starts are ephemeral: this one no longer exists, but has already changed.   Check the left corner.

Karina Nishi Marcus told me about Braque, Picasso, and the  Squirrel.  Picasso found a squirrel form in the middle of one of Braque’s paintings, and Braque struggled for 8 days trying to get rid of it.  I’ve included the story in a link below. It’s interesting that Picasso told Braque to kill it, get rid of it.  Braque’s squirrel was living in a painting of tobacco, pipes, cafe glasses.  Picasso said the squirrel didn’t belong there. On the other hand, Picasso, with his autocratic personality, might not have  ever allowed something to appear in his painting that he didn’t plan, sanction, or control.  

Our wild things emerge from splashes, spatters, and a short discussion of media and possible compositional forms.  Keep them and develop them?  Paint them out?  What about this fellow?

Detail, Upper Left Corner, "The Bird"

He absolutely hijacks the whole composition.  Paint him out in favor of more balance and harmony?  Here’s a detail of what we did to the painting.  The “squirrel”– the bird in the corner– is still there.

Detail, stages 2 and 3, of painting start Cornelis Edminster Collaboration

A lot of you are painters out there.  What do you think?  Thumbs up or thumbs down to the Bird Thing?

Mythic notes:  Read the full story of the Picasso, Braque and the squirrel .   These painting apparitions belong to either the world of projection and psychology, or the world of the dream.  Painting is dreaming out loud, lucid dreaming.  Change the dream?  Is it nonsense or an omen?  Do we let it pass like a cloud, and onto the next dream, or painting?  See more of our painting day from Susan Cornelis’ point of view.

Studio news:  Karina Nishi Marcus is having an opening at the Wine Emporium in Sebastopol this Friday.  Come and enjoy her masterful work. 

Artist’s reception for
Karina Nishi Marcus
Friday, February 10, 2012 from 5-8 pm at “The Wine Emporium.”125 N. Main St. · Sebastopol CA 95472
Phone: 707-823-5200 
 
http://www.the-wine-emporium.com/calendar/event?eventid=11995

Plan to meet the artist and enjoy excellent food, wine and music!The Wine Emporium is located at 125 North Main Street, in Sebastopol, a few doors North of Hwy. 12. Karina Nishi Marcus’ paintings can be seen on the sets of major motion pictures and TV shows including, Mad Men, NCIS, Parenthood, CSI: NY, Monk and House.

A Quick Peek at a Painting Collaboration Process

Ever had one of those brilliant midnight ideas and let it drift away?  Well, painter Susan Cornelis  had one and made it a reality, that rare bird,  a painting collaboration. Encouraged by B.L.T., the collaborative project of Lisa Beerntsen, Tony Spiers, and Bob Stang, Susan asked me to be her partner in an a collaborative painting series with abstracted themes.

We began on Saturday in Susan’s studio.  Making it up as we went along, we decided to start with smaller paper pieces to get a feel for a larger series on canvas.  Here’s a start by Susan Cornelis:

Susan Cornelis Gold Start 6

As you can see, the starts were so beautiful it felt very risky presuming to “finish” them!  I “finished” the start you see above  with this version below.

Suzanne Edminster Gold Finish 6

 Here’s  another one of Susan’s brilliant starts:

Susan Cornelis Gold Start 4

 And my finish below:

Suzanne Edminster Gold Finish 4

A secret: this kind of painting is addicting, riveting, and fun.  To see more of the project, including a few of my starts and Susan’s finishes, visit Susan’s blog, Conversations with the Muse.   Cooperators are standing by, so more to come.