Creative Demand

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My desk for the illustrated Dante notes project. My main reference is a 1944 Illustrated Modern Library edition, with amazing pictures by George Grosz

“A creative person must convince the field.” Mihaly Csikszentmihalyi, Creativity: Flow and the Psychology of Discovery and Invention.

Another open studio? Another First Friday?  Really? My current new project is a series of illustrated notebook pages on Dante’s Inferno and the Underworld.  Not really a high demand there, unless perhaps you are a dead person of the 13th century.  For years I have struggled with the ideas of supply and demand in art.  I saw demand as a corrupting influence, producing Thomas Kincaid cottages, pet rocks, and social media addiction.

“What limits creativity is not the lack of good new memes (i.e., ideas, products, works of art), but the lack of interest in them.  The constraint is not in the supply but in the demand.”

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Suzanne Edminster, illustrated notes on Dante, Canto VI. Cerberus was not only a dog, but a snake/serpent monster, a part of the mythic genetics often omitted today.

I know and work with so many amazing artists, most of them unfairly obscure, in my SOFA Santa Rosa neighborhood.  We are everywhere, and we are creating.  The supply is high. You could argue that perhaps we have saturated Sonoma County with our good work.

Csikszentmihalyi says that perhaps the limitations of creativity come from scarcity of attention for the products. “Unfortunately, most attempts to enhance creativity are focused on the supply side, which may not only not work but is likely to make life more miserable for a great number of neglected geniuses.”

He goes on to say, “But usually the necessity of ‘selling’ one’s ideas is seen as something that comes after the creative process ends and is separate from it.  In the systems model, the acceptance of a new meme by the field is seen as an essential part of the creative process [my italics].

This gives me hope.  I always knew there was something wrong with the neglected genius / Van Gogh model, birthing beauty into a silent or hostile void.  I hope that I can joyfully enter the creative stream anywhere, either creating new art or by readying the field for it. Thanks, Mihaly.

More frequent posts

I’ll be posting several times a week now, probably.  Fair warning!  These messages are part of my own creative process.  Later I’ll offer a monthly newsletter format.

If you’re going through an Underworld passage right now– as our whole country is– stay safe.  I’ve seen and heard a lot more random racism and everyday hostility around me than usual.  The decay at the top and the inaccessibility to universal health care is wearing us out.

Suzanne

Saltworkstudio Events and Classes 2019

SOFA Santa Rosa First Fridays 2019, 5-8 PM.  Informal open studios neighborhood-wide. Find me in Backstreet Gallery, down Art Alley behind 312 South A Street, Santa Rosa, CA.  Map here.

First Friday, March 1, 5-8 PM.  Selected SOFA art studios are open; I am.  Drop by to chat.

 

Foolish Sketching and Big Nature

fools gathering

Fools flocked and chattered in Occidental, California on Saturday April 4 for a traditional Fools celebration.  Susan Cornelis, Carole Flaherty and I went out to sketch from life.  The subjects were moving and in crowds, for me the toughest kind of sketchbook challenge.

 

Carole Flaherty sketching
Carole Flaherty sketching

Susan and Carole have been participating in Bay Area Urban Sketchers Sketchcrawls.  Carole had a lovely setup with her self-designed travel watercolor set and everything clipped and attached to a small drawing board.  Susan loaned me her tiny Pocket Palette to try.  I’m terrible at this kind of sketching, so it was good to do it on a Foolish day when everything was allowed.  This sort of sketching from life takes plein air to a new level.  It is meditative and process-oriented. My style tends to be more of an illustrated journal, with writing and collage.  I kept a sketchbook through Spain, and at other times,  but am entirely untutored in the finer points of more realistic rendering, and am hoping to improve.

 

Fears of Sketching

I might as well make a checklist of my sketching fears, and get them out of the way as soon as possible.  On Saturday I accomplished all of them.

  1. Fear of doing a really lousy sketch.  Check.  Around 5 times.
  2. Fear of doing a really lousy sketch while others sketching are doing better ones.  Check.
  3. Fear of just not being up to the task— moving figurative subjects.  Check.
  4. Fear of messing up pages in a bound notebook.  They will always be there as flubs. Check.
  5. Fear that if I share the messy process of learning, I will be seen as less accomplished in my painting.   Check.

I was happy to have some of my sketching doctors give me a critique, over Prosecco and prosciutto at the Underwood in Graton.  Here are some of Susan’s sketches from the day.  My Rx:  mechanical pencil, slower more continuous lines in ink, some media suggestions.  (I’m hearing that a new-to-me brush pen favorite is the Pentel.)  I’m taking an online sketching class from Marc Taro Holmes which is really excellent.  There is a new wave of arts education and it lives online.  What if we all came to art school with many skills and techniques, and the ways and means, spiritual and practical, of living as an artist were taught by generous, seasoned masters?

I want to sketch people in life, not in a figure class.  I think my best sketches recently were done in DMVs.  It took me 3 tries to get a replacement for the license which was lost or stolen.  Learning to sketch is a metaphor for letting a new identity emerge.  And it’s not always comfortable.

Big Old Nature

fools blog redwoods

My artist friend Laura Foster Corben and I went into a grove of coastal old-growth redwoods on a misty, rainy day.  It used to have the worlds tallest tree at around 380 feet.  Now taller trees have been measured, but these seem tall enough to me. I was struck by the primitive nature of these trees.  Inverting the black and white lets me see the almost palm-like form of these titans in Montgomery Woods State Natural Preserve.

A sunburst or natural altar of giant roots.
A sunburst or natural altar of giant roots.

fools standing stone ring

The eerie magic of the giant redwood forest puts those sketching fears in their proper, tiny place.