Over Underworld 7: How To Placate Underworld Beasts

Bitch, Suzanne Edminster, acrylic, oil, graphite and ink on panel, 16″ x 22″

In our quarantine Underworld, we need a wildlife field guide. We are wandering through a dark, foggy place, the upside down world.  Or we are caught in stasis, like a formerly productive worker bee trapped in amber.  And then we come upon a monstrous beast…

The Bitch, above, is part of a series of Underworld animals.  I start with random marks, and the paint-beasts emerge from the darkness, almost like a negative developing in a bath in the old world of photography.  Since I believe Hell to be states of emotion and being, the Beasts are instincts turned to shadow and  gone bad.  All underworld animals are generally about the mouth or maw, devouring or spitting fire or venomous. All tend to have big red or floating eyes.  And many cultures have Underworld dog creatures, like my Bitch, like Dante’s wolf.

Painting starts, my “negatives

I’ll let you wander in the Underworld with my Beasts for a moment.  The worst Beasts threaten to devour us during this Quaran-time: boredom, apathy, bitchiness, physical illness or disfunction, anxiety, cruelty to others with whom we are trapped, anger, denial, fear.  What freezes you when it happens?  What drives you to the couch, the bottle, your OCD activity,  the Netflix binge? That’s your Beast.

All Underworld beasts cannot be ignored.  You have to greet them, while avoiding being eaten.  You have to placate them so you can get by them and on to the next stage of the journey.  I have found three major modes of placating and soothing them, at least according to mythology.

  • Feed them.  Honey cakes seem popular.   Get to baking!  Spread some sweetness around.
  • Play music for them, or better yet, make music for them.  Music makes them wander off or doze off. Music soothes anything that is savage within us.  Making music, even at an amateur level, or trying to make or play music, opens a sort of beautiful mathematical or emotional space that the Beasts just can’t enter. Or you can also sketch them or poem them or paint them.  Create-a-beast.  They become friendlier.
  • Make a sacrifice to appease them.  Give something up to keep them calm or at bay. It’s like Lent.  You give them something that you will miss, like gossip or drama, or too much social media.
Suzanne Edminster, illustrated notes on Dante, Canto VI. Cerberus was not only a dog, but a snake/serpent monster, a part of the mythic genetics often omitted today.

I was happy to learn that there is a tradition in China of underworld Horses and Oxen. Perhaps Cash Cow, below, belongs to this tradition.  This was painted in 2017, shortly after the Trump inaugeration.  The cow is America, bought for cash and kept chained and overused for milk until it dies. Perhaps the little flying mosquito-like stars are the attack of the coronavirus.

Cash Cow, Suzanne Edminster, acrylic mixed media on canvas, 24″ x 24″

Dear Readers, I have new work, but have not been able to get to my studio to properly photograph it, due to movement restrictions.  I will try to do this next week so we can see what grows out of the Underworld– The Tree of Life– in the next Over Underworld Art Exhibit releases.

In the meantime, placate those Beasts.  All be well, Suzanne

This is the seventh Over Underworld release, a online art exhibit of paintings and sketches in March 2020. Featured art: Bitch,  Rocket Bunny, Underworld Herd and Night Hunt, all original acrylics on panels,  all $450.   Cash Cow, acrylic on canvas, $750. Available.  Contact saltworkstudio@gmail.com.

Events in 2020

March-April 2020: Over Underworld: New Work, a virtual art exhibit of paintings and sketches released on SaltworkstudioFacebook, and Instagram.  #dantesketchbook #overunderworld  #saltworkstudio

Over Underworld 5: March 25 Dante Day Story Time

I’m doing storytelling from the beginning Cantos of Dante’s Inferno today.  I’ll be on Facebook Live at Saltworkstudio Facebook at 10 AM, 1 PM and 5PM Pacific  Time.  Join me for some Dante sketches and their stories!  I’ll only post one sketch now as a preview.

The masses, waiting and waiting…

We are all waiting now.  The ancient is new again.  Ancient metaphors bring light to modern vision.    Thank you for joining me in my Over Underworld project.   Suzanne

This is the fifth Over Underworld release, a online art exhibit of paintings and sketches in March 2020. Featured art: Pages from my Dante’s Inferno sketchbook. Not for sale.

Events in 2020

March 25, Wednesday, is Dante Day in Italy, a new annual national holiday to honor Dante. I  will be storytelling from my Dante sketchbook at Saltworkstudio via Facebook Live. See event for more details.  FB live times: 10 AM, 1PM and 5 PM Pacific Time.

March-April 2020: Over Underworld: New Work, a virtual art exhibit of paintings and sketches released on SaltworkstudioFacebook, and Instagram#dantedi #dantesketchbook #overunderworld  #saltworkstudio #divinacommedia

Over Underworld 4: Dante Begins

The lion of ambition.

This is the fourth Over Underworld release, a online art exhibit of paintings and sketches in March 2020. Featured art: Pages from my Dante’s Inferno sketchbook, Cantos 1 and 2.

Since Italy has its first national Dante holiday this year on March 25, I’m releasing Dante sketches instead of paintings for the next few posts.  May celebrating his poetry help Italy heal .

We are Dante. The poem opens to a scene of attack and menace. The lion is ambition to rule, the despot. The leopard is worldly luxury and lust, hedonism, consumerism.  The wolf of avarice, of greed, is always hungry. After she eats, after feeding, she is hungrier than before, literally insatiable. Dante is lost in the woods, and all is lost.

I choose to see Dante as a guide through Underworlds, the times when we are trapped, in despair, lost, yet we know we are somehow on a journey, a lonely road. We need our guides. Virgil is Wisdom, who guides us through the “arduous and savage”way.

Virgil wrote the Aneied, another epic poem that contains an Underworld journey.

He also calls on his beloved Beatrice, who has died and gone to heaven. She appears with her girlfriends: Rachel, who symbolizes contemplation, and Lucia, who is clear vision, eyesight, and light. They indicate their approval of his journey, and then we don’t see them again for a long time.  They are all making a brief visit from heaven.  Hell is not their style.

Beatrice calls in Rachel and Lucia.

So gather your friends:  Wisdom from the past, Light, Meditation, Divine Love.  Dante needed his beloveds to help him continually trust that he would have guidance during his pilgrimage .  I noted that “Hell is forgetting that there is a paradise.”  Keep to your dream-path. It’s actually a Divine Comedy, even if we walk through Tragedy along the Way.  Suzanne

Painted notes

Featured work: Pages from my Dante’s Inferno illustrated notes.  Not for sale.You may share this freely.

Events in 2020

March 25, Wednesday, is Dante Day in Italy, a new annual national holiday to honor Dante. I  will be storytelling from my Dante sketchbook at Saltworkstudio via Facebook Live. See event for more details.  FB live times: 10 AM, 1PM and 5 PM.

March-April 2020: Over Underworld: New Work, a virtual art exhibit of paintings and sketches released on SaltworkstudioFacebook, and Instagram. #dantedi #dantesketchbook #overunderworld  #saltworkstudio #divinacommedia

 

 

Creative Demand

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My desk for the illustrated Dante notes project. My main reference is a 1944 Illustrated Modern Library edition, with amazing pictures by George Grosz

“A creative person must convince the field.” Mihaly Csikszentmihalyi, Creativity: Flow and the Psychology of Discovery and Invention.

Another open studio? Another First Friday?  Really? My current new project is a series of illustrated notebook pages on Dante’s Inferno and the Underworld.  Not really a high demand there, unless perhaps you are a dead person of the 13th century.  For years I have struggled with the ideas of supply and demand in art.  I saw demand as a corrupting influence, producing Thomas Kincaid cottages, pet rocks, and social media addiction.

“What limits creativity is not the lack of good new memes (i.e., ideas, products, works of art), but the lack of interest in them.  The constraint is not in the supply but in the demand.”

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Suzanne Edminster, illustrated notes on Dante, Canto VI. Cerberus was not only a dog, but a snake/serpent monster, a part of the mythic genetics often omitted today.

I know and work with so many amazing artists, most of them unfairly obscure, in my SOFA Santa Rosa neighborhood.  We are everywhere, and we are creating.  The supply is high. You could argue that perhaps we have saturated Sonoma County with our good work.

Csikszentmihalyi says that perhaps the limitations of creativity come from scarcity of attention for the products. “Unfortunately, most attempts to enhance creativity are focused on the supply side, which may not only not work but is likely to make life more miserable for a great number of neglected geniuses.”

He goes on to say, “But usually the necessity of ‘selling’ one’s ideas is seen as something that comes after the creative process ends and is separate from it.  In the systems model, the acceptance of a new meme by the field is seen as an essential part of the creative process [my italics].

This gives me hope.  I always knew there was something wrong with the neglected genius / Van Gogh model, birthing beauty into a silent or hostile void.  I hope that I can joyfully enter the creative stream anywhere, either creating new art or by readying the field for it. Thanks, Mihaly.

More frequent posts

I’ll be posting several times a week now, probably.  Fair warning!  These messages are part of my own creative process.  Later I’ll offer a monthly newsletter format.

If you’re going through an Underworld passage right now– as our whole country is– stay safe.  I’ve seen and heard a lot more random racism and everyday hostility around me than usual.  The decay at the top and the inaccessibility to universal health care is wearing us out.

Suzanne

Saltworkstudio Events and Classes 2019

SOFA Santa Rosa First Fridays 2019, 5-8 PM.  Informal open studios neighborhood-wide. Find me in Backstreet Gallery, down Art Alley behind 312 South A Street, Santa Rosa, CA.  Map here.

First Friday, March 1, 5-8 PM.  Selected SOFA art studios are open; I am.  Drop by to chat.